Inclusive Practice – Unit 2 – PG Cert – Race

Blog 3 – RACE 

  • Shades of Noir (SoN) 
  • As a black queer member of staff I was signposted to SON in the first week I started at CSM and introduced to Montana and Aisha. Sadly both of these staff members have now left UAL after experiencing racism. I worked closely with both of them on the anti-racism board and its unfortunate demise. They created a community, which I felt included in. I’ve experienced a lot of racism since being at UAL and SON was a space I could process the complex feelings I had, where I wanted to process my experience and not necessarily go heavy for formal complaints. I’ve experienced racism from staff, students and the senior leadership/institutional structures that are racist. I feel I do incorporate a lot of this work in my studies/research – I teach identity and my practice is centred on creating transformational spaces that include many identities, enabling many people to thrive and not solely the most privileged. Every year since ive started, ive mentored the teach within candidate who has joined P:DP – elevating another colleague and supporting them to find their confidence with our course. Ill continue to do this. In all honesty, I believe, as a professional black man coming to work, doing my job well, showing up for my team and students, bringing my perspective and experience and communicating my viewpoint – hoping to not receive racism in the building – is doing quite a lot already to decolonise teaching. I hope the staff causing the most harm can work harder – as ive already had to be ‘near perfect’ to get here and wouldn’t be entitled to the second chances, slap on the wrists and  excuses that are made – for quite frankly – harmful and hurtful experiences that change how you feel about yourself. 
  • Read Hahn Tapper (2013) ‘A pedagogy of social justice education: social identity, theory and intersectionality’ 
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This is an interesting paper that analyses social justice education and the ways we learn. Education can liberate us intellectually and physically and I see that at UAL. UAL is a diverse space in many ways – with the worlds cultures and identities gathering together – this is often also the bedrock of immense harm – from students to students, and from students to staff. As stage one leader, I witnessed this on many occasions where students from a variety of backgrounds and experiences, projecting and assuming about other students. Students from major cities had different views to more rural students and without the tools – sadly a lot of pain and upset can be caused. My work encourages community, listening and connection as a way of developing a caring pedagogy that allows for better working practice. This is before we even begin to think about content – we must address who we have in the room and how we would like to work. 

  • Ted talk video “Witness Unconscious Bias” video. 

An interesting perspective from Josephine Kwhali – that I totally agree with. I often ask myself the question when can this unconscious become conscious – how many times does it need to be pointed out until it is realised that its simply not acceptable to speak/treat/favour/behave in this way in a work place. I honestly believe that if the roles were reversed – the more marginalised staff would not be given the same grace for their own ignorance; after having ones own behaviours clearly pointed out as being harmful. 

And yet – I don’t believe shaming and blaming is the antidote but care and compassion and sensitivity will be the new tools to dismantle white supremacy. And yet this kindness and softer approach is taken advantage of.

  • ‘Retention and attainment in the disciplines: Art and Design’ Finnigan and Richards, 2016 

This is an interesting document that begins to explain how the attainment gap can grow on a course that is meant to give everyone a fair chance of success – when dissected, noting specifics around certain identities/experiences thriving. This can be through so many different and complicated systems – whether it’s having a previous experience and having the privilege to study a foundation at UAL – may give someone a head start. Perhaps, having tutors and staff members that look like you, may make some students feel more comfortable. Understanding references, terminologies, jargon, language – may privilege some students over others. The daily microaggressions some students experience every day in comparison to others can create an unsafe environment. All of this can directly impact someone journey through a three-year degree. I’ve witnessed it first-hand on my own course. I’m unsure how this can be resolved without showing positive action and supporting a student with where they are right now. That may mean one tutorial is an hour and the other is 10 minutes – and yet we are discouraged from showing this disparity student to student. And yet, we aren’t all starting from the same starting line. 

  • terms of reference from SoN around Race 

In honesty I found this whole account and all the articles very challenging. I wondered who it was written for, who the imagined audience is? I felt angry reading the articles and frustrated that my experience – my daily experience was written down, expanded upon and still so little change. I read blasé commitment to racial injustice, I read about the white voice, I see people fall silent when discrimination happens and people don’t help, or speak up and it is left to the person experiencing the harm to also point it out – and then be deemed as difficult or non-compliant. I see white staff members promoted and minority staff flatline and then leave. I didn’t see much hope in this report – it didn’t make me enthused to go to work tomorrow – I felt it is an article for white people to learn about themselves and didn’t make me feel safer at work having all the ways harm is experienced written down so clearly and yet so little change. 

Inclusive Practice – Unit 2 – PGCert – Religion, Faith, Belief.

Blog 2

Blog 2 – faith 

  1. ● Religion, Belief and Faith identities UAL website.

The information on the website specifically targeted towards inclusion, religion, faith and belief is hard to find. The link above didn’t work – followed by googling and search englines didn’t lead me to something specific for UAL staff/students. Religion, belief and faith is highlighted  in the university’s strategy but doesn’t have any extra nuance or detail. In the current strategy no work from a performance department on any of the campuses was highlighted/ were contributors to the artefacts mentioned. 

“Religion and Belief Champions Forum

The Religion and Belief Champions Forum is chaired by a member of UAL’s Executive Board. The group is made up of staff and students committed to inclusion with respect to religion, belief or no belief.” – UAL website 

This was the only information I could find that specifically centred religion, faith and belief that seemed vague and lacked clarity from my perspective.

  • ‘Religion in Britain: Challenges for Higher Education.’ 

Multiculturalism

One of the things that really struck about Modood and Calhoun’s writing on Multiculturalism was the idea that we embrace ‘the abandonment of the pretence of ‘difference-blindness’. This articulated something I have been increasingly trying to incorporate into my practice as a teacher and artist.

The notion of abandoning the idea we are all the same feels freeing, feels empowering, it allows students to have edges, to have highs and lows, there is no homogenous way to be in a class to respond to an exercise. I think it will be particularly useful when I set an exercise in class with specific parameters, if a student responds in a way that seems to move beyond the limits I sent, or even seemingly abandon my instructions, I will consciously remember to abandon the pretence that we are not different, that we do not understand the worlds and instructions in ways unique to ourselves, shaped perhaps by our context and lived experience. 

Vaguely Christian UK

I was struck by the sentence

Religious identities are only partly about religion. They are labels for groups that may be distinct in various ways and have a range of concerns that are not strictly religious.

It provided an interesting and important moment of reflection for me about my own fluid relationship to faith; points in my life when I have actively and socially practiced my faith, and other moments I have had a more personal and non conformist approach to religion.

  • Kwame Anthony Appiah – Reith lecture on Creed. 

I noticed the extent that was taken to understand who Kwame is and his experience and his positionality – through race, creed, location, and experience. I reflected on how little I knew about the people in the online classroom, of my tutors and I noticed how this affected my understanding of where their viewpoints, opinions and critiques were located in their experience – and how potentially this made me feel unsafe to voice my own. I don’t know who I’m talking with and that means I stay guarded and uphold stronger boundaries, to protect myself in this space. I know through my own history and experience of code switching – that changing who I am and how I arrive, depends on who my audience is. I make a performance differently centred on who I believe my audience is. I devise and create a show through one angle if it is aimed at teenagers differently to if it is aimed at people my parents’ age. I research differently, I package my work differently. Similarly, if this is an audience of queer people, black people, people of faith, atheists etc. Yet I don’t know who I have in this room, and therefore feel guarded how much of myself – I bring to this work. I question who, the others in this space believe they are speaking to. Who is enabled and isn’t – who believes they are speaking to people who share similar views and who has others’ views? Who is included in this space and who isn’t in this classroom? I realised, I – through my own intersectionality’s, identities and experiences am often marginalised in UAL, and professional workspace settings and therefore feel sensitive and have an expectation that harm is likely to be experienced in this type of discussion – which directly impacts how I show up. It surprised me that this wasn’t included or addressed to make the space we are existing in – safer for the more marginalised people in this room. I questioned what positive action had been taken to make this classroom – inclusive and how the identities that often take up space in our racist, homophobic, ableist and unjust society is being rebalanced in this room. I questioned in my own practice what measure I take to make this overt and how inclusive am I? I realised my issues and challenge with online learning and why being the Course Leader of BA P:DP through the pandemic felt complex and chall;engi9ng for me and why I spoke so often with my team and work force about this exact issue. 

  • Shades of Noir articles around Faith 

Its interesting to read these articles. They shine a light on the experiences of staff and students. How intertwined religion, ethics, identity, and creativity are. My own beliefs and experiences show how connected these things can be – who is the work for and what am I trying to say with my artistry. How may I assert my viewpoint or expand a conversation or include more opinions may be a mission for my own artwork? How may I embody or act in the image of ‘God’ through my teaching? Do my actions work in harmony with my beliefs and ethics or am I being asked to work outside of my beliefs? These can all present a dissonance – representing myself vs representing UAL. Each article feels to get tied up in this and the challenge of separating ones views/beliefs from their creativity and identity. We are all things. My provo9cation would be – how can we be inclusive to let a multitude of faiths, ethics, identities, religions co-exist? What are we saying yes to, and what are we saying No to ?– which views do we not tolerate and how do we enter conversations with LOVE and kindness – when boundaries are crossed?

Inclusive Practice – Unit 2- PGCert – Disability

Blog 1
The social model – how the world disables people – rather than something that is wrong with people
Sonia Renee Taylor in her book “The body is not an apology” presents a ladder of hierarchies – and how the world enables some bodies to thrive over others.

First one shows what disability means at UAL and the support students receive

2) Christine sun. Kim
The physicality of Sound and how sound looks and feels rather than solely what we hear Made me think about how we interpret and understand listening and – if we listen with all our sense or just our eyes. I also became interested in the work at Glasgow Royal Conservatoire – which has created the first performance course for D/deaf performers:

The BA Performance in British Sign Language and English – https://www.rcs.ac.uk/courses/ba-performance/

Finally the SUBPAC wearable chest plates physicalise sound through vibrations and allow people to feel sound through impact. Deafeinitely theatre have been working with these to explore dance for D/deaf performers.
https://www.deafinitelytheatre.co.uk/richard-france

All really interesting creative responses to offer positive action and prioritise disability/D/deaf art.


3) Disability too white hashtag – questions the lack of representation in the presentation of disabled people and voices in the media. The lack of representation can mean that some disabled people of colour feel/are unseen. In an industry where there are already a lack of roles/parts for disabled performers this then offers even greater discrimination to disabled POC.

4) Deaf-accessibility for spoonies: lessons from touring Eve and Mary Are Having Coffee while chronically ill
A theatre show that was touring – disabled artist considered accessibility every step of the way for audiences but neglected own needs, mental health and pain.

Often disabled people are represented as white and therefore we fail to see and understand POC or other intersectionalities

It encourages us to ask for what we need and consider our own needs. It also shines a spotlight on invisible disability and how we may not be considering this. I was thinking about my work with disabled artists and the culture of ‘checking in’ with the artists to see how they are working and how I can make work accessible with them – rather than assuming I know what someone may need. This is best practice in general and encourages us to collaborate and open discourse on how to work together.

Disabled people the voice of many – a brilliant collection of many intersectional disabled people of colour. Looking into their viewpoints and perspectives, experiences and artworks.

My reflections – link to working on Paralympics with a cast of disabled people
My research on WHAT DO YOU SEE? For The PappyShow and then working with Shaun Fallows – who wrote ten disability commandments – “commandment ten – Thou shalt not attend a one day training and believe you know my life”
Inclusive practice is better for everyone
Ask people what they need
Provide options
Person centred approach

About Me

My name is Kane Husbands. For the past twelve years, I’ve been working and teaching in theatre, movement and dance. Im currently the acting course leader for the BA Performance: Design and Practice degree at Central Saint Martins UAL. Im also the Artistic Director of The PappyShow, a diverse physical theatre company that has a commitment to elevating marginalised voices and identities through our training and performance. 

www.thepappyshow.co.uk

Ive been leading rooms and teaching for many years now, and I’m looking forward to interrogating and questioning ‘how we teach’ through this course.